Friday, October 3, 2014

Amazing how quickly an uninterrupted 3 hours of worktime degrades until it’s just 30 minutes. Some days it feels like all I do is read & triage resumes, but the reality is that I can only bear to read maybe 10 of them before I have to distract myself with Teh Internets.

In one such distraction, posted about not having any Album of the Year candidates except for Beyoncé. I don’t have a theory yet as to why this is, but posts like this tend to yield more response on Facebook (10+ people) than on Twitter (1 person).

I wound up sorting my music directory by date & skimming through titles; I feel like slots 6 thru 20 will have plenty of contenders, but there hasn’t been much of anything that has dominated the CD player in the car, or headphone time at work, in the same way as previous years.

Still, some highlights so far:

And a raft of albums by bands whose most recent previous albums were easily #1 record material, but whose 2014 releases just … aren’t, quite. Top-20, sure, mostly. But 2014 has been the year of the One Notch Lower. I had been reluctant to name names, but since this is Tumblr & I don’t have any friends here:

  • Pallbearer
  • Hiss Golden Messenger
  • Spider Bags
  • Sharon Van Etten
  • Swans
  • Fucked Up
  • Tune-Yards
  • White Lung
  • Earth

This is tricky because what I’m saying here is that all of those bands’ previous albums were phenomenally awesome & their new ones just aren’t quite as phenomenally awesome. OK, well, in the case of Earth, I find it kind of unlistenable, but anyway.

Interviews all afternoon. This is already the Year of the Hackathon. Everyone is doing it now. I wish I had a more positive outlook on the phenomenon. There are definitely hugely positive elements to it – just exposing students to emerging internet technologies, and to the idea that something of value can be rapidly prototyped, is a huge step forward from traditional CS curricula. So OK, sure, that’s a very good thing.

But the downside is the normalization of crappy architecture, even more disregard for testing, a reinforcement of the culture of all-nighters, and an explosion in the amount of half-finished abandonware. I wonder how many of these projects live on in any capacity outside of a couple of sentences on a resume.

After dinner, went to see Gone Girl. I had only gotten about 5 pages into the novel before giving up in annoyance (at the writing style, I assume), and since I don’t really move in popular-novel circles otherwise, I was blissfully clueless about all of the plot twists. Of which there are many.

In the hands of another director (say DePalma, with the exact same script) it could have been nudged over the line into black comedy, a line which in Fincher’s hands it kind of tiptoes up to but then shies away from. Which is too bad, because none of the characters are particularly likeable otherwise, and playing the plot twists straight gets kind of exhausting after a while.

Either that or Fincher thought he was making a black comedy but couldn’t quite pull it off. I laughed a few times anyway, but not enough to redeem the 2.5 hours we sat through.

Mechanically it was weird. The media circles around everywhere but is never quite in the audience’s face enough to seem fully oppressive – so when the characters spend [too much] time sneaking through the woods to avoid the press, it just feels kind of disconnected & time-wastey. It’s weird because at a macro level, Flynn & Fincher did a pretty good job of getting through all the twists without completely losing the thread of the plot. Detail-wise, though, the editing is kind of a mess.

Anyway. Really liked Kim Dickens (of course). She played so much smarter than everyone else in the movie that I kept expecting some amazing last-minute twist from her, and was really disappointed when the credits rolled without it.

Friday, October 3, 2014

One of my dearest friends, Aimée Argote, is quoted in this article about stagediving/crowd surfing, and I agree with her 1000%. Anybody who knows me knows that if you try to crowd surf near me at a show, I’m gonna either pull you down to the floor, or steal your shoes. Ideally both. It’s always bigass dudes & they’re always kicking us smaller people in the head & just generally being entitled assholes. And being an entitled asshole, while pretty “Punk,” is not very punk.

http://noisey.vice.com/blog/is-it-ok-to-stagedive–musicians-weigh-in

original post

douglaswolk:

This was the best thing that ever happened to Times Square.

velveteenrabbit:

yoaguanto:

Jenny Holzer – SURVIVAL, 1983-1985 (exhibited as part of Creative Time’s 42nd Street Project 1993)

“Like the Jenny Holzer pieces, you’ve got a lot of people saying, ‘What the fuck is that? What the fuck is that supposed to mean?’ And it’s like, well, why are you angry about that and you’re not angry about anything else you see here? About drug dealing, about people with drugs, about homelessness, but you’re getting mad about this sign because people feel it doesn’t belong here. And they feel all the other stuff does." (Theatre Electrician) (x)

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Ten* Band T-Shirts

Recently on Teh Internets I was complaining about the comparative lack of imagination & general design sense of lordemusic’s concert t-shirts, particularly given how design-sharp she is in pretty much every other way.

Along the way I threatened to post my top 10 faves from my current collection. There are so many more which have gone to the great t-shirt drawer in the sky, but these are some current (and some lifelong) faves.

A couple of notes: I own some truly amazing metal shirts, but for some reason many of them didn’t make this list, I think in part because the intricacy of their designs doesn’t photograph well (and thus also doesn’t really make as much of an impact from more than 4 feet away). And in part because some of them involve too much ink to be really comfortable to wear, which does matter. Also, there are 11 shirts here, because just because.

In no particular order:

Cantwell Gomez & Jordan

From roughly 10 years ago, maybe? The original source is obvious, but anyone who knows the band knows how much they love playing covers that totally explode yr conception of the original:

Dengue Fever

Bought this at a show in Richmond at the sadly now-defunct Plaza Bowl. Cultural appropriation is an iffy thing, but given that the frontwoman (and entire musical focus of the band) is Cambodian, it’s a little more complex than that:

Grids

Grids were a short-lived band from Charlotte, NC. Proof that a 1-color design can still be a stunner:

PIPE

PIPE singer Ron Liberti is probably better-known nowadays for his cut-up/collaged/recontextualized poster art than his band; here’s the perfect example of the collision between his two artistic endeavors:

Tune-Yards

USE that space! I think this is from the tour before WHOKILL came out & blew everything wide open:

Gayngs

Yes, that’s metallic gold ink. I wear a lot of too-small shirts but this one, sadly, is a little bit too too-small. Special occasions only, then:

The Love Language

I’ve had ups and downs in my relationship with the Love Language & their music, but this shirt rules, and proves that it’s always good policy to fuck with the Black Flag logo:

Guardian Alien

This shirt is every bit as batshit crazy as the band, right down to the fact that it’s printed all askew:

Work Clothes

Another Ron Liberti design. I’m perfectly comfortable with my (many) dead-centered t-shirts, but it’s hard to argue against the power of an off-center design like this one:

sunn o)))

My current favorite shirt of all-time, for two reasons. First, there’s nothing more evocative of this band than the black logo printed on a black t-shirt. Second, it’s literally the softest t-shirt I own, which was totally unexpected and is secretly delightful:

R.E.M.

I never wear this anymore because (a) I lost the ability to care about R.E.M. a long time ago, and (b) it’s literally about to disintegrate. This is circa 1986, I think, give or take a year. The band’s name is on the back, but it doesn’t really matter either way:

Ten* Band T-Shirts

NC House & Senate Campaigns I’m supporting

This November’s election is probably the most important, at the state level, of any I have voted in during my 22 years as an NC resident.

I have made multiple donations to each of the candidates below over the past 6 months, and I encourage everyone else to do the same. The candidates with (LL) after their names are supported by Lillian’s List, which supports pro-choice women who are running for NC legislature. They’re particularly deserving of your donations:

Gale Adcock (LL)
John Ager
Lisa Baker
Robin Bradford
Angela Bryant (LL)
Susan Byerly (LL)
Sarah Crawford (LL)
Sue Counts (LL)
Kim Hanchette (LL)
Jane Hipps (LL)
Joe Langley
Natasha Marcus (LL)
Gene McLaurin
Graig Meyer
Cliff Moone
Brian Mountcastle
Joe Sam Queen
Elizabeth Redenbaugh (LL)
Billy Richardson
Brad Salmon
Jane Smith (LL)
Erica Smith-Ingram (LL)
Margie Storch (LL)
Brian Turner
Terry Van Duyn (LL)
Uriah Ward
Stan White

I’ve also donated to the US Senate campaigns of both Sean Haugh and Kay Hagan, and I encourage you to donate to whichever of them you find most appealing.

NC House & Senate Campaigns I’m supporting

Google Calendar for Hopscotch

Once again this year, Gcal for Hopscotch. I have the official nighttime shows up (and up to date), as well as all the day parties that I’m aware of. Many thanks to Ash Crowe (and Facebook event admins who actually update their shit) for the day party assistance.

HTML link: https://www.google.com/calendar/embed?src=rossgrady.org_1dd9eou5pto8dc36g0amp2k20k%40group.calendar.google.com&ctz=America/New_York

iCal link: https://www.google.com/calendar/ical/rossgrady.org_1dd9eou5pto8dc36g0amp2k20k%40group.calendar.google.com/public/basic.ics

XML link: https://www.google.com/calendar/feeds/rossgrady.org_1dd9eou5pto8dc36g0amp2k20k%40group.calendar.google.com/public/basic

Also I updated my earlier post with all of the bands listed alphabetically & linked to music samples: http://rossgrady.tumblr.com/post/83019314316/readable-hopscotch-2014-lineup-list

Google Calendar for Hopscotch

Hydraulic Fracking Chemicals

The moronic Republicans in the NC State Legislature think that they can make it illegal to disclose the chemicals used in hydraulic fracturing, aka fracking. They’d better start by chasing down the US House of Representatives, then: Chemicals Used in Hydraulic Fracturing

Update: Here’s the text of the bill that bans the release of any information that the fracking industry wants to keep confidential.

Hydraulic Fracking Chemicals

David Arneson, of Center Studio Architecture, sent this proposal for a reimagined downtown Durham (specifically the Marriott/Civic Center/Carolina Theatre complex) to the ABCDurham list this afternoon. Here’s what he said, in part:

Moving the Civic Center away from its current location would allow us to restore the block of Roney Street between East Chapel Hill and Morgan Streets, and also the eastern half of Manning Place.  This would greatly improve pedestrian and vehicular connectivity.  It would also help to set off and frame the Carolina Theater and return it to its historic setting.
New storefronts along East Chapel Hill Street would greatly enhance the street level activity and vibrancy of this block.  These buildings could be several stories tall with office and/or residential spaces on upper floors.
The Marriott (or another hotel) could expand and build another tower adjacent to the renovated park.  And the ground floor here could be greatly improved with restaurants or other retail that open onto the park.
The Civic Center could live on top of the existing Durham Centre parking garage.  This space is terribly underused.  A new Civic Center here could create ground floor pedestrian entrances at the corner of Morris and Morgan and mid-block on Morgan.  The existing elevator and stair towers with the stepped planter here are woefully inadequate as an entrance to Durham Centre.  No one knows how to get to this huge building.  Where’s the front door?  We could fix all that and create a much better pedestrian experience on this block of Morgan.
The south façade of the Civic Center could be all glass with an long gallery space here that looks south over the Carolina Theatre, the plaza, and all of downtown.  It would be at the level of the current roof terrace, so the view here is great.  The experience would be similar to the lobby levels of the DPAC with their glass façade facing north toward the city.
Services and loading docks and trash and recycling could all be on the north side of the garage/Civic Center.

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